Monday, September 25: Scooby-Doo! and Krypto, Too! – Digital, VOD Friday, September 22: Dark Asset – VOD Everybody Dies By the End – VOD Expend4bles – Theatrical It Lives Inside – Theatrical Nightsiren – Theatrical (limited) No One Will Save You – Hulu, Disney+ This article originally published on GREY Journal.All US releases unless noted otherwise. To learn more about this legendary actor, visit Armand Assante’s website. Armand has accomplished more than most actors have done in a lifetime and he has shown no signs of slowing down.
He was very honored to be a part of the Con and he is thrilled that VirtualCon has championed the idea of Gotti II. Armand was a special guest there along with William Forsythe and Dominic Chianese. The event was hosted by the company VirtualCons, which is a new app that offers live and virtual events like the Reunion and MobMovie Con.
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Recently, Armand took part in the Gotti Movie Reunion in Atlantic City, New Jersey. He strongly believes that acting is a way of life-a marginal life not a profession his way of life. It is like being a dancer: if the choreography does not exist, there is no dance. Yet there is a dark side to indies where there are too many DIY’s who really do not have a grasp of the filmmaking process.”įor Armand, every film must have a process and that 90% of a film is done in pre-production. It is astounding how they can manage that. “I have been to film festivals globally and have seen shorts directed by youngsters that capture the social, economic fabric of our society in only ten minutes. The indie filmmakers have learned to make projects about pressing issues and social dilemmas in their country without needing to run to the big boys. When it comes to the Indie Film movement Armand has always supported it and believes it has changed the culture of every country globally.
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At that time Armand had a full financial plate to take care of between his family and his two daughters in private school he was not going to gamble on Hollywood to come to his rescue. Countries like Romania, Italy, and the whole former Eastern bloc welcome Armand’s talent with open arms. He set his sights on Europe where he has become somewhat of a god. Since what Armand called the “meltdown” in Hollywood from 2008-2010 he did not stick around to see what can be done. Any actor to embody a role needs to put that role in their DNA, otherwise it is impossible to embody it.” The Odyssey (1997) It catches the behavior of the character, just like my choice for roles is based on the character’s behavior. Theatrical energy is what the camera captures. I work on it and develop it as if I were working on a play and I really believe that performance energy is truly theatrical energy. “Everything I do as a performer is from the theatre, whether it’s a one-day gig or a weeklong. For him, the story needs to be there and grab his attention. He sees himself as a character driven/ material driven actor. This is what motivates him on whether to take on a role or not. As an actor, Armand is driven by the writers and their stories. He has come a long way since then with awards and an extensive list of film projects. They even misspelled his name in the credits as Assanti. In 1973 Armand was an extra in the famous film Lords of Flatbush where he appeared in the wedding scene, although he is not visible.
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